Chapter 8 · Part 2
The Crumbling Watchtower
Listen to this chapter8 min 31 s
About the narration: This narration is an AI-generated voice. These books are a passion project, and I wanted them to be accessible to everyone, including people who would rather listen than read. The voice may stumble over some names and Afrikaans words.
The Panopticon is most effective when the guard is visible. For nineteen years, the guard had been my father. He was the sovereign of our small, manicured state, the enforcer of the binary, and the architect of my fear. But in August 1998, the watchtower began to crumble.
The cancer returned. It wasn’t the scare of my childhood that ended in triumph and Springbok colors; this was a siege. It settled in his liver, aggressive and malignant. The Colonel, the man whose silhouette had filled every doorway of my life, the man who had whipped the “feminine” out of me with a strap and a scream, was withering.
He was admitted to the Zuid Afrikaans Hospital. I watched the invincible force of the Apartheid state shrink into a frail collection of bones and tubes. The hierarchy of our home collapsed. Biology does not respect rank. The Sovereign was dying, and with his decline, the air in the house changed. It was no longer filled with the static of discipline; it was filled with the heavy, suffocating silence of anticipation.
The Interrupted Confession
On the Friday before he died, I visited him alone. The hospital room was cold, smelling of antiseptic and decay. For a moment, the mask of the Colonel slipped completely. He wasn’t the enforcer; he was just a frightened man.
He took my hand, a touch that had once been a source of terror, now weak and trembling. We spoke for nearly two hours. He asked me to promise to take care of my mother, transferring the weight of the patriarch to my shoulders. I was nineteen years old, terrified, and desperate for his approval. I nodded, accepting the mantle of a manhood I secretly despised.
Then, he looked at me with an intensity that unsettled me. His eyes, usually hard and inspecting, were wet.
“I have something very important to tell you, my son,” he said.
I leaned in. My heart hammered against my ribs. Was it an apology? Was it a confession? Did he know? Had he seen Juanita hiding in the gaps between his rules? Was he finally going to acknowledge the girl he had tried to beat out of me?
Before he could speak, the door opened. His sister entered the room. The moment was shattered. The spell of vulnerability broke, and the Colonel retreated behind his eyes. He told me to come back later. I told him I loved him and walked out.
I never heard what he wanted to say. That silence would haunt me for decades. Was he going to release me? Or was he going to give me one final order? The ambiguity became another cage, a question mark I could never straighten.
For years, I assumed the sentence he never finished was about me. Did he know? Had he seen Juanita?
Only much later did I set it beside something he told me after he retired: he knew a lot of government secrets. He never told me what they were. That was the one thing he said.
My father died in 1998. That year, the Truth and Reconciliation Commission was still hearing testimony, and men who had served the apartheid state were deciding what to confess and what to carry to the grave.
My father had always been a man in charge. He showed no fear, only aggression. So it was strange, in those last years, to watch him show anxiety and stress openly. The man who had never been afraid of anything was suddenly, visibly, afraid.
So now there are two confessions he might have been holding when his sister opened that door. One was about his child. The other was about his country. I will never know which one he meant, or whether, in that cold hospital room, he could still tell them apart.
The Devil in the Ward
The next day, the man I knew was gone. The cancer had reached his brain, or perhaps the pain had simply driven him mad. When my mother and I visited on Saturday, the gentle man from the day before had been replaced by a devil wearing my father’s face.
He screamed at us. He insulted us. He was pure rage. He looked at me with a hatred that felt ancient.
“Get out!” he screamed.
I stood in the doorway, looking at the husk of the man who had dominated my existence. I realized then that I could not let this be the end. I refused to let this monster be my last memory of him. I wanted to remember the hand that held mine yesterday, not the mouth that screamed today.
I turned around and walked out. My mother tried to make me stay, to endure the abuse as a form of duty. But I refused. I left him to his rage. I walked away to save the father I wanted to keep, leaving the Colonel to die alone.
The Man of the House
He died the next day, Sunday. We were at church when the call came.
When we arrived at the hospital, the nurses were already there, their faces somber. My mother ran into the room, collapsing onto his body, weeping. I stood at the reception. I refused to go in. I refused to see the Colonel as a corpse. In my mind, he had to remain the giant, or else my fear of him, and the discipline he instilled, would lose its meaning. If I saw him broken and still, the god would die, and I wasn’t ready to be an atheist to his power.
At the funeral, I didn’t cry. I stood there, nineteen years old, wearing the black suit of the grieving son. I was performing the role of the “man of the house.” I was the replacement child, finally promoted to the vacant post.
But beneath the stoicism, I felt a crushing guilt. The theology of my childhood whispered that sin brings death. I wondered if his sickness was my fault, if God had punished him because of the abomination living under his roof. I felt like a contaminant. I had prayed for God to fix me, and instead, God had removed the one man trying to fix me.
The Red Dress
But beneath the guilt, there was something else. Oxygen.
The Panopticon had lost its guard. The eye that had watched me for nineteen years was closed. The state had lost its local enforcer.
A few months after the funeral, a strange giddiness took hold of me. I drove to the shops. My heart hammered against my ribs, but for the first time, the fear was mixed with defiance. I bought a red summer dress and a pair of black shoes.
I drove to the cemetery. It was a weekday, quiet. The earth on his grave was still uneven, the wound in the ground fresh. I parked the car. I didn’t hide. I didn’t crouch in the backseat.
I stepped out into the sunlight.
I walked across the soil to the mound of earth covering the Colonel. I stood there, the wind blowing the hem of my dress against my legs, a sensation of freedom I had only ever stolen in secret. I wasn’t Dawie, the disappointment. I wasn’t the recruit he failed to drill into a soldier.
“Hello, Daddy,” I whispered, the tears finally breaking free. “I’m your daughter, Juanita. I wish you had the chance to know me. I love you. I miss you. I’m sorry I’m such a disappointment.”
It was a confession to the dead, safer than any confession to the living. But it was also a ritual of reclaiming. Standing on his grave, I realized that the power to dictate who lives and who dies works both ways. Death had leveled the playing field. He was gone. I was here.
For the first time, Juanita stood in the sunlight, casting a shadow over the man who had tried to erase her. The Patriarch was dead. But the war for my soul was just beginning.
